Showing posts with label Sydney. Show all posts
Showing posts with label Sydney. Show all posts

Sunday, July 24, 2011

Sydney Revisited - 2011



SONGBIRDS MAKE A BEAUTIFUL NOISE IN SYDNEY
By: Susan Walker
THIS IS THE STORY about a group of twenty-eight choristers from Esk who got to sing in the Sydney Opera House. It began when Alexis FitzGerald, their Choir Director, received another invitation to the World of Music festival to perform "Mass of the Children" by the esteemed composer, John Rutter. The venue, the Sydney Opera House. Those of the Choir who had gone before and those who had wished they had, were not about to let this opportunity go begging and so it was that the invitation was accepted, the musical score purchased along with some practice CD's and for as many moments as they could afford themselves during the weeks prior to performance, they learned and listened in an attempt to master this most moving piece of music.
By 14th July, heightened with excited anticipation, a busload of Choir members from Esk headed for the airport, destination Sydney. Little was known of the internationally renown Choral Director and musician, Eric Dale Knapp other than that he was to be guest conductor and that he would be bringing along with him his Choir from the USA. However, at their first rehearsal after introductions were made, vocal warm-ups completed and Maestro Knapp ironically began with " ...ok, let's jump right in with Kyrie "...( he did a lot of jumping!) they knew that they were in the presence of a dynamic leader of voices whose energy was sure to empower his performers with something very special designed to stir the souls of an audience.
The genesis for “Mass of the Children" appeared many years before its completion. It was not until the tragedy of losing his son, Christopher, that John Rutter was compelled to pour all his passion into the completion of this music as a dedication, and to perform it is to feel the depth of his emotion. With the purity of the Children's voices, combined with the maturity of the Adult choirs, latin text, interspersed with lines from the poetry of William Blake, from the colourful opening of "Kyrie" through to the peace of "Finale (Dona nobis pacem)", this work is Rutter at his most sublime and for the travellers from Esk, to perform it amid a 160 voice choir to an almost capacity audience in the Concert Hall of the Sydney Opera House, was a moment when their world was crammed with Heaven and their dedication to their preparation for this experience was evident and noted.
Prior warning had armed them well for the impact of hearing and singing with the Children's Choir "Partners in Praise" from the USA. It was to have a bypass from one's heart to one's tear ducts not to shed tears at the purity of their sound!! So too was the audience moved by the goose-bump performances by the soprano and baritone soloists, Alicia Luick and Morgan Pearse whose chocolaty depth of sound was simply swoon-worthy. The "Mass of the Children" was originally written with accompaniment by an orchestra or chamber ensemble. However, Eric Dale Knapp chose in this instance to perform to the accompaniment of the Opera House's magnificent pipe organ and in so doing, brought with him his own highly acclaimed accompanist, Mark Pacoe, whose talents seated at the organ were on a par with his superlatively good looks!
By Monday the 18th, the reality of returning home began to intrude, but not before the Eskimos had shopped, supped and savoured the sights, spectacle and sounds that were there for the taking in the exciting city of Sydney. From Bondi to Balmain, La bohéme and beyond, over the 5 days of their sojourn, they were treated to a feast of fabulous fun and entertainment, though paled in part by their performance at the Opera House.
To put finish to this story and to this most beautiful of singing at this point in time would be a miscarriage of the heart and so to avoid that end, the Choir will be performing two of these moving pieces for local audiences at their upcoming Concerts later in the year.

Wednesday, April 14, 2010

Sydney Opera House (June 2009)

This is a story about 15 ladies and 2 men from the Esk Community Choir who sang at the Sydney Opera House. It is not fiction, though the experience was the stuff dreams are made of.
The story began when Alexis received, via email, an invitation for the choir to sing Mozart's Requiem as part of the Festival of World Voices in 2009 at the Sydney Opera House. Seventeen choir members, unwilling to pull the shade down on this opportunity, answered the call.




Armed with the musical score, a couple of home grown tapes, purchased CD's and very little knowledge of what was to come, they dedicated spare moments during the following weeks and months to mastering this very challenging Requiem Mass in D Minor by Mozart.

The little that WAS known was that the Internationally high regarded American clinician, lecturer and Director of Choral Studies at Atlanta's Emory University, Dr Eric Nelson, was to be the conductor for the festival, travelling to Sydney to perform the work along with a number of choirs from the USA.

A great leader is said to be someone who takes genuine joy in the successes of those under him and from the moment Dr Nelson began the rehearsal with "OK, let's sing the Requiem: they knew they were in the presence of, not only a great leader and teacher, but also a musical genius and hearts soared along with their voices.





From the wandering tones of 'Intoitus' through the intricacies of 'Kyrie', the rhythmic vitality of 'Dies Irae', the mournful pulsing of 'Lacrimose', the fire passion and pathos of 'Rex Tremendae' and 'Confutatis' to the final dramatic notes of 'Lux Eterna', the ladies and gentlemen from Esk were born aloft on a sea of musical excellence. So too were the other choirs, anchored by the incomparable voices of the Centenary College Choir from Louisiana, and others from Georgia and Charleston as well as sixty 'angelic' boy sopranos, altos, tenors and basses from Sydney's Knox Grammar School who were called to the fray with only one months notice. The sum total of 160 voices filled and thrilled both the Concert Hall at the Sydney Opera House and an almost capacity audience.
True testament to the determination and dedication to practice by the Esk contingent were the comments and compliments expressed by more than a few members of the visiting choirs regarding the 'excellent preparation by this community choir'.

The story could not continue without the telling of the four highly credentialed soloists, highlighted by the amazing voice of Tim Chung, a countertenor, who sung alto, nor the accompaniment of a wonderful orchestra comprising young graduates from the Conservatorium alongside accomplished professional musicians.

This story does not have an ending because once there are no more words to tell, our music will continue to take over. People who make music together will always share that bond... for as long as the music lasts.

Sue Walker




Members who participated in Mozart's Requim
Elaine Brown
Joan Burke
Kym Clemence
Suzanne Clemence
Brian Crichton
Marina Crichton
Alexis FitzGerald
Mary FitzGerald
Maree Hammond
Dorothea Moyle
Noela Niemeyer
Jessica Pitman
Ellise Pope
Leon Toms
Sue Walker
Kathie Watts